M.P.E.P
2018ES | Serie de 25 miniaturas / óleo s/ cartón montadas en alambres.
Instalación a pared de medidas variables, (150x150x50cm aprox.)
Las miniaturas tienen medidas desde los 1x1cm hasta 2x1,5cm
Sobre la publicación que acompaña la obra:
En la impresión se hace referencia de cada miniatura con su boceto y es indicado el título, el autor y nr. de inventario de la obra del patrimonio del Museo Provincial de Bellas Artes Emilio Pettoruti a partir de cuyo título fue compuesta la miniatura indicada.
ENG | Series of 25 miniatures / oil on cardboard mounted on wires
Installation on wall of variable measures, (150x150x50cm aprox.)
The miniatures have sizes from 1x1cm to 2x1,5cm
About the publication that accompanies the work:
In the printing, each miniature is referenced with its sketch and the title, author and nr. of inventory of the work of the collection of the Museo Provincial de Bellas Artes Emilo Pettoruti (Provincial Museum of Fine Arts Emilio Pettoruti based in La Plata, Buenos Aires) from whose title the miniature indicated was composed.
Exhibiciones | Exhibitions:
2019 - La marca original: arte argentino, CCK, BsAs, Arg.
2018 - Obra seleccionada | Selected work, Premio XXII Fundación F.J. Klemm, BsAs, Arg.
2018 - Thesaurus Visual, Centro de Arte UNLP, La Plata, Arg.
ES | Todas las miniaturas de M.P.E.P. fueron realizadas a partir de títulos que selecciné de obras, que jamás había visto, del patrimonio del Museo Provincial de Bellas Artes Emilio Pettoruti en La Plata, Buenos Aires. De este modo, eligiendo titúlos que me sugerian imágenes, quize generar un díalogo con el museo, crear una pequeña colección alternativa, una traducción caprichoza y arbitraria. La serie es exhibida acompañada de una impresión donde se indica a que obra del Museo Provincial de Bellas Artes Emilio Petorutti se vincula cada pieza, especificando el título, autor y nr de inventario.
M.P.E.P. es un experimento con los límites entre la presencia y casi ausencia de las obras. Un trabajo de 25 pinturas que ocupa un espacio mínimo, y que es difícil de apreciar. Una obra que en vez de mostrarse y hacerse presente coquetea con su desaparición.
ENG | All the miniatures of M.P.E.P. were made inspired from the titles that I selected from paintings, which I had never seen, from the collection of the Museo Provincial de Bellas Artes Emilio Pettoruti (Provincial Museum of Fine Arts Emilio Pettoruti) based in La Plata, Buenos Aires. In this way, choosing titles that suggested me images, I wanted to generate a dialogue with the museum, to create a small alternative collection, a capricious and arbitrary translation. The series is exhibited accompanied by a publication indicating wich work of the Provincial Museum of Fine Arts Emilio Petorutti is inspired each miniature, specifying the title, author and num. of inventory.
M.P.E.P. it is an experiment with the limits between the presence and almost absence of works. A work of 25 paintings that occupies a minimum space, and that is difficult to appreciate. A work that instead of showing itself and becoming present flirts with its disappearance.
M.P.E.P. es un experimento con los límites entre la presencia y casi ausencia de las obras. Un trabajo de 25 pinturas que ocupa un espacio mínimo, y que es difícil de apreciar. Una obra que en vez de mostrarse y hacerse presente coquetea con su desaparición.
ENG | All the miniatures of M.P.E.P. were made inspired from the titles that I selected from paintings, which I had never seen, from the collection of the Museo Provincial de Bellas Artes Emilio Pettoruti (Provincial Museum of Fine Arts Emilio Pettoruti) based in La Plata, Buenos Aires. In this way, choosing titles that suggested me images, I wanted to generate a dialogue with the museum, to create a small alternative collection, a capricious and arbitrary translation. The series is exhibited accompanied by a publication indicating wich work of the Provincial Museum of Fine Arts Emilio Petorutti is inspired each miniature, specifying the title, author and num. of inventory.
M.P.E.P. it is an experiment with the limits between the presence and almost absence of works. A work of 25 paintings that occupies a minimum space, and that is difficult to appreciate. A work that instead of showing itself and becoming present flirts with its disappearance.
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